Siddhanth tries his best, maybe, but the narrative drags the film down to such depths that redemption or surfacing for air is impossible. Complementing her half-hearted act is her brother Siddhanth Kapoor who plays Bhai and Ankur Bhatia who is seen as her husbnad Ismail Parkar. She transitions from a seemingly shy young woman to the menacing don, but there is hardly anything to write home about even there. Shraddha sticks out like a sore thumb throughout this tale of revenge, family feuds and gang wars.
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Shraddha Kapoor's dialogues in the courtroom are delivered with a scowl and with next to no movement of her lips. While the prosthetics team got her make-up on point, they left her facial movement reduced to zero. Many people displayed their apprehensions at seeing the 'bubbly' Shraddha Kapoor step into the burkha of the Godmother of Nagpada. The letdown in Haseena Parkar is the actor who plays Haseena Parkar. Despite its 124-minute length, Haseena Parkar is a tedious watch. Haseena Parkar can’t boast of even one performance that’s not over the top. But in absence of a coherent screenplay, they also become unbearable after a while. The only thing that works for the film, to some extent, is the chemistry between Shraddha and Siddhant Kapoor, real life siblings. Not that they can’t exist together, but he changes gears so frequently that Haseena Parkar begins to look jumbled. The director keeps switching between a stylish film and a period film. Then there are efforts to present Shraddha as a menacing mob-boss. The film shows how Haseena pays the price of being Dawood’s sister as if she was clean otherwise. Basically, we watch just one side of the story, and it looks much mellowed and somewhat glorified. Nothing wrong in this strategy, it’s the director’s choice but it also hampers the objectivity. But it’s not a neutral perspective because Haseena narrates the story and it has to bear her biases.
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We witness the loss of innocence and birth of dreaded gangsters through flashbacks. Lakhia designs his film primarily as a courtroom drama where two advocates are cross examining Haseena and some witnesses.